Abstract
The two narrators in Alba Ambert’s “Rage Is a Fallen Angel” (1997) and Estela Portillo Trambley’s “The Paris Gown” (1975) are caught in similar conflicts of being accused of insanity for failing to conform to the gender norms imposed on women by men, thus indicating that sanity is a gendered social construct. Both narrators make particular use of memory in understanding and constructing their identities through feminist rhetoric and consciousness. By naming patriarchal culture and the men who uphold it as the perpetrators, the stories critique patriarchy and the inimical effects that misogyny has on women who fail or refuse to conform to the limited options men present them with.
| Original language | American English |
|---|---|
| Pages (from-to) | 1-21 |
| Journal | Studies in the American Short Story |
| Volume | 5 |
| Issue number | 2 |
| State | Published - 2024 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 5 Gender Equality
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