From “Big Red” Hydrick to Goat Dykeman: Eudora Welty’s Navigation between the Fictional and the Real in “Where Is the Voice Coming From?”

Abstract Known for her lyrical evocations of the American South, Eudora Welty’s short story “Where is the Voice Coming From?” is unique in her oeuvre for both its intense topicality and its direct treatment of the Southern racism that is often only obliquely acknowledged in her fiction. This article examines how Welty maintains her characteristically deep sympathy for her characters, and her profound attention to detail, while narrating the event of a horrific and racist murder. Furthermore, by providing biographical details of the real life “Goat Dykeman”, G.W. Hydrick, informed readers see how even in a brief story about contemporary events, Welty is continually aware of regional history and assumptions, and she uses details, sometimes very subtly, to attach layers of meaning to her stories.