The initial plunge, "the soused period," and "contrition"?: Moving towards a style of Peter Schickele's funny music in his P.D.Q. Bach works

Tammy Ravas

doi:10.1353/not.2005.0146

The initial plunge, "the soused period," and "contrition"? Moving towards a style of Peter Schickele's funny music in his P.D.Q. Bach works

Tammy Ravas

Mansfield Library

Research output: Contribution to journal › Review article › peer-review

3 Scopus citations

Original language	English
Pages (from-to)	322-353
Number of pages	32
Journal	Notes
Volume	62
Issue number	2
DOIs	https://doi.org/10.1353/not.2005.0146
State	Published - 2005

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10.1353/not.2005.0146

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The initial plunge, "the soused period," and "contrition"? Moving towards a style of Peter Schickele's funny music in his P.D.Q. Bach works

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